SMALL PRESS REVIEWS

I’M ON A TREASURE HUNT. I’m tired of hearing people say there are “no good books left.” Yes, the market is inundated right now, but I’m on a mission to find the best literary fiction out there provided by the “little guys.” I’m digging through the muck to find rare gems: meaningful and culturally significant literature that engages and says something more than vampire love.

Today the book market is dominated by Amazon and big publishing houses, so I want to give a nod to the small presses who are fighting the good fight. ALL the books I read here have been published by small presses and (whenever possible) purchased from local bookstores.

You won’t find negative reviews here. The market is too vast to waste anyone’s time with bad reviews. Rather, you will find that I am selective about the books I read, and if I don’t like something, I won’t review it. In other words, I won’t give you the dirt, only the plunder.

I will be posting quarterly book recommendations for writers, avid readers, and anyone who thinks good literature is dead. I will also have "Throwback Thursdays" to show some of my old book collection to promote the preservation of classic stories and the art of beautiful bookbinding.

Showing posts with label old books. Show all posts
Showing posts with label old books. Show all posts

Thursday, October 2, 2014

#tbt: The Rubaiyat of Omar Khayyám

I love my version of this Rubaiyat*! It is huge, weighty, and leather-bound - a look and feel that lends itself to the ancient text inside. The poem was written in the 12th century, but this book - a full translation - was printed in 1938.

The beautiful, encapsulating illustrations were done by Hamzeh And-ullah Kar. On any paper, this poem on the purpose of life is enchanting, but it is even more magical when it is delivered through this old book.

*A Rubaiyat is a form of Persian poetry. Omar Khayyám's work defined the genre, and Edward Fitzgerald's translation is still praised for its accuracy and thoroughness.




The title has been carved and painted into the leather cover. This book also came with a jacket that the book slides into. I don't know if the creators intended it for better preservation, but it really has kept things intact.



Thursday, September 25, 2014

#tbt Oldie Books: Longfellow Wrote Short Stories?

People read Henry Wadsworth Longfellow in high school and generally not in their spare time. That's why I'm a bit of an odd bird. I've enjoyed reading his old short stories even more than his poetry. What they don't teach you in high school literature class is that these old writers had a sense of humor, and you're allowed to laugh at what they write. Teachers often put each writer in a bubble: this writer did x, this writer did y, and that writer did z. I didn't discover that Longfellow wrote short stories until I got "The Continental Tales of Longfellow" as a gift. His stories are strange, often with absurd conclusions, and not at all like his poetry, which is why I like this book so much. Most of all, I like the broad pages with large open spaces.

This book was printed in 1948. The rims of the pages were painted blue to match the cover, and the binding is engraved in copper. What makes this book of prose so special is that Longfellow published most of his short stories anonymously. The creators of this book, over sixty years after Longfellow's death, wanted to show his works that were never studied or observed much during his career. That's an interesting concept - will that happen to some writers of today, sixty years down the road? Will someone be unearthing their ebooks from a digital stockpile and resuscitating them?






Thursday, August 14, 2014

#tbt…Is Bookbinding a Dead Art with the Invention of eReaders?

No! Printing and bookbinding is not a dead art - in fact, in its rarity, it becomes more of an art. Every year, my hometown hosts a small press book fair to show some of the unique books being printed out there. Some publishers also print "collectible" editions of books to last a long time. I also recently received a book that was leather-bound, printed by Easton Press, which focuses on creating high-quality, lasting books.

I have a Coleridge book that was printed in 1995, and I know it will last long past its centennial in 2095, so I can pass "Kubla Khan" and the "Rime of the Ancient Mariner" to my kids, grandkids, and great-grandkids. The book is leather with gold engravings, pages painted gold. The only difference from the old books is that the pages aren't hand-cut, so they are smoothly intact.



As enchanting as old things are and intriguing their pasts, I'm not opposed to printing new books in the old way. It's wonderful when books can last 100+ years, but paper isn't made to last ages past that. My book of Whittier abolitionist poems from the late 1800s is falling to pieces, to the point where I'm afraid to open it. The pages have all detached from its glue binding. But the cover is beautiful - hand painted and still vibrant. My point is we don't necessarily need to preserve the books forever; but we should preserve the art of creating quality books.



Thursday, May 15, 2014

#tbt Oldie Books

I recently came into possession of a 12-part Wordsworth collection. It was printed over a century ago…and this particular collection has never been read. How do I know this? Because the pages have never been cut.

It's fun, doing things the "old way" as I read a long epic poem titled "The Excursion." I have to cut open each page like a present as I move through the book. I wish I'd come across Part I of this poem, "The Wanderer," in high school because it encapsulates how I felt as a teenager - and how I still feel at times - yearning to wander freely in the mountains. (A romanticized notion, I realize! Wordsworth's appreciation of nature has always captured me).

These books were printed in 1911 and are bound with fabric. I think the reason they survived for so long is because whoever owned them kept them in a personal library with some measure of climate control. I'm picturing the previous owners as socialites who preferred to show off their books rather than read them - but of course, my imagination could be way off! But there has to be some reason why the books have zero damage from humidity, and no wear and tear. And best of all, they have never been opened in a hundred years. A part of me wonders if I should keep them unopened to maintain the value of the books - but what is the point of keeping them if I don't read them? Books are meant to be opened!


Thursday, March 13, 2014

Introducing…Oldies of the Month #tbt - Leaves of Grass

I'm a collector of old books. There's something about their smell, the sound of the hand-cut pages, the weight of their leather binding, that creates an unmatched beauty lost with ebooks and paperbacks. Book covers today can be awesome - I know you're not supposed to judge a book by its cover, but I love a good one! A lot of time is put into their design and printing, but not like when they used to do it by hand.

Most of my books hail from the 19th century and early 20th…back in the day of steam-powered iron presses. Cloth bindings became more popular in the 20th century, and then paperbacks in the 21st, which is why I value a rare leather-bound book, its cover engraved by hand and its pages painted with gold.

It's remarkable that these books managed to stay so intact for 100+ years. Each page is jagged because they were cut by hand, each cover embossed with gold lettering.

This special segment is fitting for this blog because the old classics - Burns, Whitman, Longfellow - were first either self-published or printed by small presses. So I'm introducing a new type of #tbt…Oldie Books, where I'll share a gem from my book library to appreciate the old ways.

My #tbt today is Leaves of Grass by Walt Whitman. This book is a true encapsulation of the work inside! It is one of a kind, from 1900, with some incredible features. See for yourself:




 Title page, written by hand